In Indian classical music, ragas are specific melodic structures that are considered to evoke certain emotions and feelings in listeners. While there is no scientific evidence that specific ragas can heal physical or emotional ailments, many people believe in the therapeutic power of ragas.

Here are a few examples of Hindustani ragas and the emotional responses they are traditionally believed to evoke:

1. Raga Bhairavi: Often played in the early morning hours, this raga is known for its serene and devotional nature. It is said to help create an atmosphere of calm and peace, evoking feelings of devotion and surrender.
2. Raga Yaman: This raga is known for its uplifting and joyous nature. It is played in the evening and is said to help elevate one's mood and inspire a sense of contentment and joy.
3. Raga Darbari: This raga is known for its deep and soulful nature. Often used to evoke feelings of introspection and contemplation, it is believed to be particularly effective in helping to alleviate feelings of sadness and melancholy.
4. Raga Malkauns: This raga is known for its serene and calming nature. It is said to help relax the mind and body, and is often used to help with insomnia.
5. Raga Shree: This raga is known for its majestic and regal nature. It is said to help boost confidence and self-esteem.
6. Raga Neelambari: This raga is believed to have a soothing and calming effect, making it an excellent choice for inducing peaceful sleep. It is said to help relax the mind and body, and is often used to help with insomnia.
7. Raga Bageshri: Known for its romantic and sentimental nature, this raga is said to evoke feelings of love and longing. It is often used to help alleviate feelings of loneliness and heartache.
8. Raga Todi: This raga is known for its melancholic and introspective nature. It is said to help evoke feelings of introspection and contemplation, making it a good choice for times of reflection and self-discovery.
9. Raga Hamsadhwani: This raga is known for its joyous and uplifting nature. It is said to help elevate one's mood and inspire a sense of happiness and contentment.
10. Raga Bihag: This raga is known for its romantic and passionate nature. It is said to evoke feelings of love and desire, making it a good choice for times of romance and intimacy.

It is important to note that the effects of music therapy, including the use of ragas, can vary greatly from person to person. While some people may find certain ragas to be healing or calming, others may not experience the same effects.

Furthermore, music therapy should not be used as a replacement for traditional medical treatments. If you are interested in using music as a therapeutic tool, it may be helpful to work with a certified music therapist who can tailor a treatment plan to your specific needs and preferences.
As always, consult with a healthcare professional before making any changes to your treatment plan. Music can be a powerful tool for self-expression and emotional healing, but it should be used in conjunction with other forms of therapy and medical treatment.

​Carnatic music, making it a fundamental part of the Indian classical music repertoire.

Raga Yaman is considered a sampurna raga, which means it consists of all seven swaras or notes - Sa, Re, Ga, Ma, Pa, Dha, and Ni.

​The raga is traditionally performed in the evening, as it is believed to be associated with the twilight hours, when the sun sets and day transitions into night. This association with the evening lends the raga a sense of introspection, making it ideal for expressing emotions such as love, devotion, and longing.

In Raga Yaman, the notes follow a specific ascending and descending pattern, giving the raga its unique structure and melodic identity.

The ascending sequence of notes, or arohana, in Yaman is: Sa, Re, Ga, Ma, Pa, Dha, Ni, and Sa. The descending sequence, or avarohana, is: Sa, Ni, Dha, Pa, Ma, Ga, Re, and Sa. One of the key features of this raga is the use of the teevra or sharp Ma, which lends a distinctive character to the melody. Additionally, the vadi, or the most important note, in Raga Yaman is Ga, while the samvadi, or the second most important note, is Ni.

Raga Yaman is known for its flexibility and adaptability, making it suitable for a variety of musical forms and styles. It is commonly featured in instrumental music, vocal music, as well as dance performances.

Musicians often choose to perform Raga Yaman in various forms such as khayal, thumri, ghazal, and even lighter genres like bhajans and film music. This versatility has helped to establish Raga Yaman as a favorite among both seasoned musicians and newcomers to Indian classical music.

The beauty of Raga Yaman lies not only in its melodic structure, but also in the emotional depth it offers to performers and listeners.

When rendered with skill and sensitivity, Raga Yaman has the power to transport the listener to a world of profound emotions and sublime beauty. This raga, with its unique combination of melody, rhythm, and emotion, continues to captivate audiences and inspire generations of musicians, making it an integral part of the rich tapestry of Indian classical music.

​In the context of Carnatic music, Ahir Bhairav is considered a janya raga (derived raga) and is often linked to the 20th Melakarta raga, Natabhairavi. The raga's structure is based on a set of seven swaras (notes), which are arranged in a specific order to create its unique melodic identity.

​The ascending scale (arohana) follows the pattern: Sa Ri1 Ga2 Ma1 Pa Dha1 Ni2 Sa, and the descending scale (avarohana) is Sa Ni2 Dha1 Pa Ma1 Ga2 Ri1 Sa.

Ahir Bhairav is particularly known for its deeply emotive and introspective nature, making it an ideal choice for compositions that evoke feelings of longing, devotion, and introspection. The raga is often associated with morning hours, and its somber and meditative qualities have a calming and soothing effect on listeners.

​The origins of Ahir Bhairav can be traced back to the ancient musical treatises, where it was mentioned as one of the ragas derived from the Bhairav thaat (parent scale) in Hindustani music. Over time, it has gained prominence and recognition in the Carnatic music system as well.

The raga's name itself, "Ahir Bhairav," is believed to be derived from the words "Ahir," denoting the pastoral community of India, and "Bhairav," a reference to Lord Shiva.

Several renowned composers and musicians have created moving compositions in Ahir Bhairav. In the Carnatic tradition, composers such as Muthuswami Dikshitar and Swathi Thirunal have contributed to the Ahir Bhairav repertoire, while the raga has also been extensively used by legendary Hindustani musicians like Pandit Ravi Shankar and Ustad Amir Khan.

In addition to its use in classical music, Ahir Bhairav has found a place in popular Indian film music, with many memorable songs composed in this raga. Its emotive and contemplative nature lends itself well to the expression of deep emotions and has inspired many composers to create beautiful melodies.

In conclusion, Ahir Bhairav is a captivating and significant raga within the realm of Indian classical music. Its introspective and emotive qualities have resonated with audiences and performers for centuries, and its rich repertoire of compositions continues to inspire and move listeners.

​As a testament to its enduring appeal, Ahir Bhairav has transcended the boundaries of classical music and found a place in popular culture, ensuring that its timeless melodies will continue to touch the hearts of music lovers for generations to come.

​​The raga is often associated with lullabies and soothing melodies, making it an ideal choice for compositions that evoke feelings of peace, tranquility, and relaxation. The raga is also believed to have mystical healing properties, which adds to its allure and charm.

The structure of Nelaambari raga is based on a set of seven swaras, which are arranged in a specific order, creating its distinctive melodic identity. The ascending scale (arohana) follows the pattern: Sa Ri2 Ga3 Ma1 Pa Dha2 Ni2 Sa, and the descending scale (avarohana) is Sa Ni2 Dha2 Pa Ma1 Ga3 Ri2 Sa. The use of vivadi swaras (dissonant notes) in Nelaambari raga is one of its striking features, giving it a unique melodic texture.

Nelaambari raga has an ancient history, with roots dating back to the time of the Natyashastra, a seminal treatise on performing arts written by the sage Bharata Muni. The raga has been mentioned in various ancient and medieval musical texts, signifying its importance and longevity in the tradition of Indian classical music.

Over the centuries, several renowned composers and musicians have created soul-stirring compositions in Nelaambari raga. Nelaambari raga is also closely associated with dance forms such as Bharatanatyam and Kuchipudi. Its calming and emotive nature makes it an ideal choice for portraying emotions like devotion, love, and longing in dance performances.

In conclusion, Nelaambari raga is a fascinating and significant part of Indian Carnatic music. Its soothing and emotive characteristics have captivated audiences and performers for centuries.

​With a rich history and repertoire of compositions, Nelaambari raga continues to enchant music lovers and contribute to the vibrant tradition of Indian classical music. Its association with lullabies and healing properties further adds to its mystique and appeal, ensuring that Nelaambari raga will continue to inspire and soothe listeners for generations to come.

​“Mantras” are powerful syllables that is said to have revealed in the consciousness of ancient rishis which are capable of transforming one’s mind. Mantras form part of Vedas, chanted during auspicious occasions with the intention to praise the Gods and Goddesses. 

Just like the normal words creating the sound when uttered through mouth, mantras also create sound, but with a vibration affecting the internal chakras in the body. Certain cells in the body, are activated through this vibration.  This helps to control the mind by increasing the awareness and concentration. Chanting of mantras in its specific order brings the effect of Prayanam, a yogic practice of controlling the mind through breath control.  

​The breath is controlled with a consequence of rhythmic chanting of mantras formulated as slokas. This in effect activates the brain cells. Usually, mantras are combination of different words starting with the syllable “Aum”. There are different types of mantras creating various types of sounds. 

Chanting of some mantras create nasal sounds, several others are chanted by giving importance to certain letters in the mantra, etc. Mantras belong to Vedas – Rig, Yajur, Sama chanted based on several traditions. “Aum” is considered as the source of all the mantras in Hinduism. The sound is created with the help of the lips, tongue, jaws, nose and throat. This helps in the smooth flow of prana through the nadis (channels) related to these organs. 

When the pranic flow is smooth through these nadis, the brain cells gets activated by bringing a good control over the emotions of the mind. When the emotions are controlled, naturally, the greed, anger, lust that makes the man mad is also controlled and as a result, the individual who practice the mantra chanting starts to live in the world with harmony. 

Mind is transformed automatically through the channelizing of the pranic energy through the nadis. The individual gets a good balance over the positive and negative energies of the mind. Just like the sound produced by any musical instrument that soothes the human mind, mantras are also powerful in brining tranquility in the mind.  

If the mantras are chanted in a group, the persons who chant and persons who are present in the presence also get benefitted out of it.  Generally, mantras are initiated by Guru to a disciple depending on the favorite deity of the disciple.  Repeated chanting of mantra takes the disciple to spiritual heights. 

Kirtana has always played a major role within Bhakti Yoga- the Yogic path of Praise and Devotion. 

​Bhakti Yoga allows anyone and everyone to pray with love and faith. It is a community-singing experience that utilizes songs and music to feel close to the Divine! It does not require strict and often restricting principles and methods of the other two paths of Yoga- Jnana Yoga (Yogic path of Knowledge) or Karma Yoga (Yogic Path of Action).

Categories: 
Vedic Sounds,    Vedic Science    and   Vedic Tradition

Keywords and Tags:
#Kirtan #Devotion #DevotionalMusic #BhaktiYoga #Hindu #Vedic #MaitreyiParadigm #Bhakti #Sadhana #Prayers #Kirtana #Devotion

#NadaYoga #ScienceofSound   #VedicScience #soundhealing #soundtherapy  #VedicScience #nada #yogaspanda #spanda #energythread #energystrand #energyconnection

Kreem is the bija (seed) mantra for Kali. It is also sometimes written as Krim, though it needs to be noted that the "i/e" sound has a longer stretched pronunciation.

​Being a very primordial, potent and foundational energy, Kali is also considered as the ruling energy and presiding deity in all Tantric and Mantric studies, i.e. studies of the Universal Energy of Tantra (Tools of Cosmic Creation & Existence) and Mantra (Power of Sound, Speech & the Spoken Word). 

Since Kali is the basis of ‘manifestation’ of this created world from Pure Potentiality of Consciousness (Shiva), she represents the kinetic energy, governs actions and represents the very existentiality of a manifested (i.e. created) form.

Her energy is extremely potent and electrical in nature. Lightening energy is one of her expression and invoking her without proper understanding or guidance can be extremely dangerous which can sometimes lead to a "shocking" experience! 

She is also the adi-shakti (first primordial energy), first of the ten dasha-maha vidyas (ten wisdom Goddesses) and represents time. She is the time-axis of the space-time continuum of this existential world. 

Kali is part of the important tri-goddess energy form of Mahalaxmi.

Categories: 
Gods And Deities,   Vedic Sounds       and   Tantra Mantra Yantra

Keywords and Tags:
#KaliMantra #Shakti #Kali #Mantra #HinduGoddess #kreem #krim #BijaMantra #SeedSound #Mantrachanting #KaliMantra #BhaktiYoga #Hindu #Vedic #MaitreyiParadigm #Bhakti #Sadhana #Prayers #Kirtana #Devotion #Kali #ShaktiMantra

Aim is the bija (seed) mantra for Saraswati. She governs the energy of Creativity & Intelligence. Ai (ऐ)stands for Saraswati and bindu (dot) indicates dispelling of sorrow. 
​
It indicates creation and creativity in all forms. It is the seed sound for success in spiritual, educational, and scientific endeavors. It is also the seed sound for all kinds of artistic and creative actions such as writing, visual arts, singing, dance and music. 

Before proceeding with any kind of creative venture, Saraswati's grace is invoked for smooth flow of ideas (which are then transformed into creative forms).

Since all of life is a form of "creation", it is essential to obtain Saraswati's grace, so our actions are wise and timed appropriately. Because of this key attribute, she is one of the energy forms invoked at the onset of any venture (after Ganesh) and is part of the important tri-Goddess energy form of Mahalaxmi.

Categories: 
Gods And Deities,   Vedic Sounds       and   Tantra Mantra Yantra

Keywords and Tags:
#Saraswati #Shakti #Mantra #GoddessofEducation #HinduGoddess #BijaMantra #SeedSound #Mantrachanting #KaliMantra #BhaktiYoga #Hindu #Vedic #MaitreyiParadigm #Bhakti #Sadhana #Prayers #Kirtana #Devotion #ShaktiMantra

Lord Ganesh has two bija mantras- Gam and Glaum. Bija mantras are the seed sounds of the deity and similar to any seed- it contains the potential existence of that deity within it.
​
Gam is the most important bija mantra and is part of the important Lord Ganesh mantra, Om Gam Ganapatey Namah.

Glaum on the other hand is more of a tantric bija mantra and is used in special instances which helps to remove major obstacles so that we can proceed with our usual Ganesh sadhana (prayers) using the Gam mantra.

The energy of Ganesh is the governing energy behind intelligence, abundance, affluence, and accomplishment. In a way Ganesh signifies time (Kali truly represents time) since he gives out the fruits of karma. In addition, Ganesh energy also rules the Vedic sciences, particularly Vedic Astrology (Jyotish).
 
Lord Ganesh energy is associated with the root chakra and is important in invoking the Shakti energy and hence represents the door/ initiation energy for rising the Kundalini.
 
Because Lord Ganesh is also the key energy of this earth-plane and the ruler of the masses (Ganpati) along with "remover of obstacles" (Vignaharta), his energy is invoked before initiating any new task or journey for its smooth and successful completion

Categories: 
Gods And Deities,   Vedic Sounds       and   Tantra Mantra Yantra

Keywords and Tags:
#GaneshBijaMantra #Gam #Glaum #BijaMantra #SeedSound #Mantrachanting #GaneshMantra #BhaktiYoga #Hindu #Vedic #MaitreyiParadigm #Bhakti #Sadhana #Prayers #Kirtana #Devotion #Ganesha #GaneshaMantras #HinduGod #Ganesh